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Henke's usual proliferation of meaning is here made through the ventricles of framing, drawing a silhouette to alter the view. This isn't a turd morphing question of what the sculptor ate, (the diet exhaustively listed in the PR.) Rather it's framing. Even if it is relic stolen from cultural vegetable farm.
Past: Lena Henke -"Ambiguousness as a means for the simultaneity of surrealism. A tree sort of looks like a horse so we can put them together; a cloud can look like anything, much like a turd, some will see interest."
