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Like the Calendar's mechanization of time, photography too asserts its frame as an artificial blocking. Of the world it renders like little cubes of meat, morsels. Of life that it embalms. Real geopolitical borders if you know what I mean. So the attempts to blur these lines with the filmic language of frames, with TIME, an attempt to give artifical motion, motion, life, is an admittance or benevolence, to the world butchered into cuts. Suppose you were about to be executed, which size axe would you choose for your piecemealing?
