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Art is a ludicrous object, a Rube Goldberg device for some strange cultural malignancy. But art's basic forms mask the inanity. Painting is a format that seems to tautologically explain itself, it's a painting, it's meant for walls. In this way artwork falsely naturalizes. Bedin's objects evolve structures that prevent naturalization, like peacock tails they are partly too stupid for this world, but somehow biologically necessary. Design which refuses to be necessary, importantly.