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Terry Winters is proof that dumb painting can look smart with the whiff of information, science, intelligence. The gentlest hint of reason. So bubble up signs in mud, possible glyphs to understanding. Because we want paintings that speak, mean.
Like all those microscopic slides whose abstraction we nonscientists can't assess but are told hold meaning. Isn't that the perfect analogy for art?
We apophenic machines: Antek Walczak at Jenny’s