"I invited men into my hotel room and asked them very personal questions about their lives" - making for the most overloaded artwork ever. Sophie Calle by way of Ryder Ripps. Or Leigh Ledare. A conceptual gesture precluding/eclipsing its subject. An art as a set of procedures. It's a way of making sure you end up with something "interesting" - the program defines it. The psychoanalytic baggage becomes super saturated, too many rung bells to define a tune. Lest you forget, there is a hidden-not-hidden object here under all this red flag. Which is less the paradox of art's "contractual obligation to display freedom" than it is artistic-commodification of one's own body as an object for psychological projection, for MEANING. Everything is reflected back into the object of one's displayed-not-displayed body. Hannah Wilke but now dancing its inkblot in front of you. To interview a human is not enough you must find a way to paint yourself red into it. Self-immolate into it. Wilke was forced to get cancer to prove it.