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Photography's harvest of youth, an ongoing thread: Robert Kulisek at VI VII, Justine Kurland at Mitchell-Innes & Nash, Sean Patrick Watters at Galerie Praz-Delavallade, Paul Mpagi Sepuya at Document, Michael Smith at Richard Telles, Wolfgang Tillmans at Galerie Buchholz
That said, a good press release gives pause. A firmness invokes disagreement, opening. What is a photography agreeable between model and maker. Between society and art. Orchid become wasp. Is this possible? Not photography only as extraction for others. A model may contort themselves to the desire of camera, but ostensibly photographer bends too. A handshake between them in the form of a photograph.
