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Documentation awaiting its documentary. Its context, life, backfilled into it. You feel it when the reviewer recommends the catalog. The loss. The ruins of a once beautiful citizenry. We now vampire. Not only its pain, but its life too, brought to cold hands of art's Wunderkammer. "Dominant culture lays the concrete of its social conditions, proclaims 'look a dandelion has grown,' hangs its photo in our halls as testament to humanity. But it can seem like a testament to the concrete." I'm not sure who is at fault here, no one really, I guess life should be bottled, the only way to continue ours.
Documentation awaiting its documentary. Its context, life, backfilled into it. You feel it when the reviewer recommends the catalog. The loss. The ruins of a once beautiful citizenry. We now vampire. Not only its pain, but its life too, brought to cold hands of art's Wunderkammer. "Dominant culture lays the concrete of its social conditions, proclaims 'look a dandelion has grown,' hangs its photo in our halls as testament to humanity. But it can seem like a testament to the concrete." I'm not sure who is at fault here, no one really, I guess life should be bottled, the only way to continue ours.
See too: Alvin Baltrop at Hannah Hoffman, Peter Hujar at Maureen Paley
