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Was Arakawa's always just a relational aesthetics program upgraded for networks? A restaurant of friends, a social gathering as exhibitionary lighthouse beacon? The Radiants. Less exhibitions than event organizing. You make it up on the spot. This begets The Fear: a "low-grade Stockholm syndrome that many people engaged in participatory art suffer, the primary symptom being their inability to accept that something quite underwhelming could result from so much time and energy spent in captive social engagement." ... "to begin to understand how art institutions might be attracted to participatory art as an instinctive form of biological survival."