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Cassandra Press is good and interesting thing and this is an exhibition to put the laurels around that. Basically proof that more interesting "aesthetic politics" exist, it isn't whatever generation of conceptual navel gazing we're on. (Possibly this is because what has become "aesthetic politics" has been so gelatinized by art discourse PR that the "political" itself has become a non-sequitur.) So much so that just recollecting discourse for a reader is more interesting. Just like an imaged wall of culture is more interesting than a wall of art. The point is that, like Jafa, we can be direct without sacrificing art's poetic opening.