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"Grief and Grievance was partly inspired by Black Lives Matter’s astonishing deployment of grief as a politics, but there is no equivalent sense of urgency here. Again, circumstances are partly at fault: in Enwezor’s initial concept, performance work evoking physical presence was supposed to give the show a pulse, but COVID changed the music. Kevin Beasley’s sculpture Strange Fruit (Pair 1) (2015) is usually intended to mediate performance, but a curatorial note instead offers its silence as a gesture of plague-era respect. Despite its evident care and seriousness of purpose, Grief and Grievance’s focus on melancholy as preeminent black expression invites the question: Why hold a funeral for the living?" - Hannah Black, 4 Columns
