(Andrew Kreps, Efremidis)
There was nothing really "new" in Wade Guyton's rocket launch career. The "new" was a false-promise of a new technology for realizing old dreams, a printer for our unconscious. New tech, means, provides a look of promise, of advancement. And Fallahpisheh's more like Tala Madani's, better for its ancient and dumb themes in drawing dark projection screens. This is what drawing is. Old.
See too: Tala Madani at 303 Gallery, Wade Guyton at Academie Conti & Le Consortium, Tala Madani at David Kordansky
