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This really was a thing at one time wasn't it. Art was more like a technology designing a machine to fill space. And artists became the machine, symbiote to the institution. This was before the Museum of Ice Cream and Meow Wolf and just as the art industry was shifting to more populous modes of representation, leading to an installationism everywhere suddenly "fun" which hung precipitously over the entertainment "experience" industry it then immediately fell into. This machinic symbiosis with institutions is sometimes described as careerism, professional assimilation, but the careermay simply be the shell protecting the soft inner art, the machine instead adopts itself to the space it can fill, modulates to the institution, a service performed, rendered, filling art space.