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The ubiquitous tarot design by Pamela Colman Smith is proof that clear design is still ambiguous, interpretable. Even without painterly mystery. The icons of an iPad grid are a mystic pool. Saturday morning cartoons seers to a future; Lisa Frank a biblical text. The dolls of childhood show stigmata. The difference seems to be what lacks or has systems of interpretations.
See too: Diamond Stingily at Freedman Fitzpatrick, “Sylvanian Families Biennial 2017” at XYZ collective
