(link)
We killed truth in the documentary, so photographs now adopt a sort of totemic blank state, slow and brooding. The peppering of vast landscaps becomes ominous. Fruit trees come with our knowledge of their labor, the perhaps original sin [photographs] carry. We have come to, at root, fear photography. We have come to acknowledge that photographs carry a guilt. And when it's bigger it is worse because there is larger tray for it.
