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A means of physicalizing the otherwise digital nonexistence of video, a brilliant adaption to package and sell televisual color, all the brilliance TVs advertise held in crystal. A slipperiness to Kimura's, objects or photos whose concreteness or hopes for singularity or individuality has a tendency to bleed. Glass which we don't really see but for its reflection, or flaws, it only warbles a world surrounding it, refracts what we put through it. Photos of brandy glasses usually are shot in the white cloud of virtuality to reduce the room, whereas these are built to hold it.
see too: Yuki Kimura at Wattis
