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the confusion of painterly terms, parsing the difference in Greenbaum's marks between accident and expression, calculated or automatism. The categories get blurry, Sherman Sam: "which in another era would have been construed as the struggle between the intellect and the romantic." But Greenbaum seems to defy more categories in regurgitating expressive modes, flaunting its social codes like any good hysteric would. The hysteric was made to believe they were irrational, crazy, but they were, really, simply not fitting into the the mores of stifling polite company, even Pollock's "expression" contained within "painting" but these are always teasing something that we might find repulsively not-painting, irrational.
