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The apparition we all throw guesses like darts towards. Knowledge that's predicated on the firming up of agreement, history a handshake between historians. And in this way the amorphous is not an agreeable substance to a culture that would like to make everything fungible, easily transactable. Instead here see things that reveal only us, an elephant we're all hiding in our own personal rooms under big sheets. Ambiguousness is hot right now, the abstractionists with their gluttonous anthropomorphics, the kids with their balloon swollen cartoons, the sculptors with their lumpy things. The ambiguity exemplar of our world's distrust. Who knows who is actually the man behind the curtain.
See too: Ron Nagle at Modern Art, Michael E. Smith at Sculpture Center, Nina Beier at Metro Pictures, Nairy Baghramian at Museo Tamayo, Nairy Baghramian at Marian Goodman, Alice Tippit at Night Club