(link)
Lampen, "a group exhibition exploring recent artistic production relating to light, design and its stabilizing elements." A definition signaling that there are still elements intrinsic to lamps that haven't been deconstructed in a way of, say, painting where one would, in order to successfully broaden the definition to inclusivity of practices under the banner of 'painting,' be forced to say things like "explore the cultural concept of painting" exclusive of any defining elements like paint, since painting need not. But all these seems at least illuminated, electrified, and as per their definition, stabilized, somewhat. No one placing a pound of vulcanized rubber on the floor and calling it "lamp." So being somewhat useful is important. That we trust in the usefulness of lamps as opposed to 'painting's total uselessness is maybe a reason why we see so much neon today, its modern day campfire is somehow comforting.
See too “Marlborough Lights” at Marlborough Broome Street, Sam Lewitt at Kunsthalle Basel, Cerith Wyn Evans at Museo Tamayo
