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Everyone loves Feehily, they are like a breeze. Against everyone else's returns to modernism Feehily's could seem one more scuzz on the pond to extract any further oxygen from it. Instead perhaps like Raoul De Keyser a mining for some odd uncanny version. There is a bit of adorability to their off-elegance. Paintings like the underdog, we root for them. Like wearing a fur-coat and a runny-nose. "in micro mode: in accumulations of near-subliminal pictorial events that reward an unhurried, particle-magnifying gaze."
see too: Raoul De Keyser at Inverleith House