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It seems there's become a scramble to repair art history, reweave the tapestry's holes left by the moths hungry for the limelight. The omissions all pretended never happened. There is a problem with revisionist history in omitting that we did need to revise it. It would feel better if hadn't come so late, come after women artists finally also flying towards the moon with prices, the galleries tinting theirs with suspicions of market plays and generally not at all fair to the artists. KGC has a better track record, having always looking at least partially back, and so suspicions should maybe be muted, there's no fluorescents here. Though it does kinda look like a beach in moonlight.