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The excess physicality in painting, the scabs one end and wall vents on the other, perhaps because we're so beholden to virtual environs that we need a new harder visceral materiality to reach across screens, so we can feel like we're feeling something other than glass.
see too: Ida Ekblad at Herald St (2) Ida Ekblad at Max Hetzler, Ida Ekblad at Herald St (1), Tony Conrad's Glass
