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The transition from handmade dolls to mass produced Teddy Bears had to be meaningful for the unconscious of humanity. All sorts of issues for what it would mean with children grown on loving sweatshop objects. Units of CareBears moved. To move you. Shouldn't the Toy Story characters speak Chinese? Dominant culture gets to force its cast to speak its language, dub them against their natural speaking voice, force adoption of its language. It's called localized for a market. It's called acting white. It's called "he's eloquent." called AAVE, a vernacular nonstandard but "equal." They surely will speak whatever when localized for market. Giving commodities to children so they learn to love their master. Because really they'd speak Mandarin. Klaus Biesenbach's apartment has nothing in it and is entirely white, which is a lie since minimalism is basically predicated on closeting the workers you're standing on, but we'll give him several architectural and NYT magazine spreads anyway, a new advancement in whitewash interiors. Because pretending the working body isn't there, pretending everything spontaneously generates on store shelves clean, without indentured sweat, is important to our culture. Corporate production gets so massive it takes pains to relocate itself, force adoption of itself, anything outside it gets the searchlight, brought back under eye that is pretended as benign with total market share, control.
see too: Melvin Edwards at Daniel Buchholz, Diamond Stingily at Queer Thoughts