"People hate Fontaine. It's easy to see why, and a particularly searing example by Chris Wiley for Frieze (e.g. 'I also consider the mealy-mouthed, jargon-besotted forms of this political position’s promulgation – utilized by the editors of Tiqqun, Fontaine and others – an impediment to reasoned debates surrounding political change, as well as a crime against language' a single sentence in an unending screed against the work) is the front and first review of one of Fontaine's gallery's press packet on the artists. "
"exemplar of the artist's grandstanding the impotent and hollow feeling of political ineffectuality as big shiny horrors,"
