Tuesday, October 23, 2018
Christine Wang at Nagel Draxler Kabinett
(link)
Stated aggressively but not necessarily pointedly at clear meaning, an irony that confuses instead of reneges. Their dripping disgust with an almost self-harm cruelty is also an earnestness in moral dubiety. What do these things mean, is of course the question every painting asks, these just do a lot more explicitly, ambiguously. Do I want a threesome with the Winklvii? Wouldn't it be nice to be rich, to have made it to the moon on Bitcoin? Is my now desire for threesome with the Winklvii merely a symptom, hoping for some relief from anxiety of capitalist precarity, their big arms? The questions come embedded in the image. The world, surely, is fucked. The newspaper is a surrealist device, atrocity competing with diamond ads. Against the majority of juxtapositional surrealists operating today who find themselves content in jumbling signs for subconscious irruption, these hand you the pile of garbage and ask you to find help in untangling it.
Labels:
Berlin,
Christine Wang,
Germany,
Nagel Draxler Kabinett