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Hoarding as a sort of extended compassion for the derelict neglected of culture, a sympathy moving to material itself that a world simply would like to rid itself of. Composing it into art objects becomes a blessing for sending the objects into the "heavenly" afterlife, a means of delivering them to the majority white institutions to get them to care for them in perpetuity. Hooking the hose from the expelling parts of our cultural body to the part that feeds, getting it to eat its underwear.
see too: Dylan Spaysky at Good Weather, Dylan Spaysky at Clifton Benevento
