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or the couple of Gnam's press releases invoking generational clashing and the cultural culling of those without political use make one wonder if these aren't, comedically enough, Gnam's attempts at proving himself a viable artistic candidate for cultural preservation. Which would make them funny. To think of these as attempts at cultural relevance. At some point we did adopt demands for art to prove its usefulness, possibly through the seepage of cultural theory into it, art was suddenly to be extracted for some sort of insight we had, tautologically, proven was there. We believe in art's ability for insight into, well, something, that when the above is delivered to us, we choke on our inability to read it, we choke.