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but different from minimalism in their contaminating themselves in faint veils of cultural signifiers. These look purposed. Look like other things vaguely. As their power. "the elusive mechanisms of interpretation," They appear designed but without a purpose we can ascertain. We are so accustomed to objects bent to our service that appearing without purpose we call alien. The power of the uncanny is to teach us what we expect from certain forms by removing the parts that would cause recognition replaced with mystery, instead all the doohickies and flimflams and us wondering why we expected it to begin with. The flux capacitor must only look like the expectations a public has for such an object.
See too: Alicja Kwade at Kunstmuseum St. Gallen, Richard Rezac at Isabella Bortolozzi
