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Not quite the Ian Rosen whole-in-one, you can find more images on Presenhuber's website But Donnelly has made a career of limiting the availability of the document that feeds the current apparatus of art, instead edited into an esoterica through regulation, the Donnelly mythos floats on the inability to know, though even actually seeing them never helped answer anything, the nebulous otherworld aesthetic that like H.R. Giger channeled an techno/medical aesthetic for a decade before finding in the Alien its embodiment that Donnelly refuses, a ghost.
See too: Trisha Donnelly at Museum Ludwig, Ian Rosen at The Finley