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"We know the sky’s blueness even before we know it as “blue”, let alone as “sky.” as Robert Irwin paraphrased, may actually not be true. Art's belief in the unfiltered experience, its underwriter, in that raw sight's could overcome cultural bias to see the thing itself but one of the scarier aspects of where cognitive science seems to be toeing is that raw experience is rife with blindspots to the point of collapse held to together by our cognitive structures we believed as fault, that sky is actually possibly culturally blue. Whatever. There's no truth here, just the carnival of experience, fun house made from the funhouse glass of cultural knowing, the warbled mirror of art's stuttering experience. "Having in this way blurred the borders between space and work, the unprepared visitor may at first not notice the work. Because in the world of Joëlle Tuerlinckx, anything can be exhibited."