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Plumbing the depths, the correlation between waterways and our most technically advanced medical imaging, the ability to peer under surfaces and into our sewage systems you and me. The human body is indistinguishable from any sufficiently complex sewer. The metaphorical transpositional points are numerous, we're all just bodies of water with structural needs to remove waste through complex veinous systems, and the methods of mapping those bodies mirror each other somewhat as tubed networks. "This will be the first time phantoms, a crucial part of modern medical practice, will be shown in a creative setting" seems like an oddly specific Guinness World Record, but a preliminary search through Leckey's Universal Addressability of Dumb Things and Kelley's Uncanny shows it maybe technically correct if beside the point in a long history or alternative figuration. The long symbiotic history of medical and artistic representations, artists interest in them. Why did Simone Ambrogio come back, what are these medical professionals really up to? The difference in interest may be instead of the representations is how the representations are made here, flaunting the medical science it remains at least somewhat disconcerted with, the new means of figuration, your body like a toilet.
See too: Quintessa Matranga at Freddy, Yngve Holen at Fine Arts, Sydney