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Every 10 years assemblage reinvigorates itself as the dumpsters picked through are modernized to the current castoffs and appear new, the waste that evolves along culture until finally an artist is able to rummage up enough LEDs, acrylic panels and Arte Povera catalogs to accumulate the update to our Rauschenberg cardboard clogging the pipes of our forward progress. At least sticks are still in vogue as symbols of the foraging, our original human toil, production.
See too: Ei Arakawa at Taka Ishii & Peter Halley at Modern Art, Kerstin Brätsch at Gio Marconi, DAS INSTITÜT at Serpentine Gallery, KAYA at Deborah Schamoni,
