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Ruby Frazier's photos appear as from some distant past because surely we can't believe it's the present; photos from last year seem in some nebulous era that surely isn't this new millennium the complications of the black and white and registering of historic tumult. We have facial recognition tech in the palms of our hands and water we can't send through pipes. Perhaps this would seem a paradoxical if we didn't know the facial tech was manufactured in buildings surrounded by suicide nets and towns were destroyed when companies could find cheaper backs to stand on.