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An artist doing her best to abolish the possibility of a reference we can call common, bury it behind opaque markers. i.e. difficult to recount without resorting to the degrading telephone game of myth, scattered primary source quotes cut/pasted ad infinitum; the PR limbo bending backwards to avoid description, replaced with chimes; and objects which, even at peak banality aren't really describable without metaphor, some sorta whatsa type a deal. What you see isn't mine. Probably why there's such radical opinion difference, Donnelly's cult and the mudslingers. The inability to derive equitable terms, a reference to talk about, looking like slack-jawed yokels.
See too: Michael E. Smith at Sculpture Center