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The cartoon - as the primitive manifestation of the virtual, the ability to treat reality as malleability - feels more and more aptly depictive of the world currently lived, a world governed by abstraction and rulers on whims swapping crutches for legs, swamps for politics, licorice for sustenance. In the future your head will be replaced by a pumpkin and this will be the will of hand we can't see but can all infer, sense will be destroyed and replaced with something much more billowing, slapstick maybe.
See too: Gijs Milius at Gaudel de Stampa, “Puddle, pothole, portal” at Sculpture Center, Mathis Altmann at Freedman Fitzpatrick
