You may recall Black as penning the "urgent recommendation," destruction of Schutz's WhiBi painting, and subsequent firestorm of art-world hand wringing and giltedged-sanctioned rebuttals by figureheads such as Fusco and Rankine arguing the painting's worth as discussion catalyst seemingly not recognizing Black (and Bright's) request for painting bonfires seemed the real catalyst otherwise the art-world may have continued its merry silent way of soft congratulatory back patting and subsequent relief of white people self-affirming their feeling absolutely aghast at racism with a painting of it.
In comparison to all that brute forcing a small frail show.
