Past: Karen Kilimnik at 303 Gallery

"Hainley's citing Kilminik's siting as IED mirrors in the halls of the rich, ready to shatter jewel's broken glass into their visages caught reflected in the decadence, as a giant "fuck-you" to the rich..." against "Rhonda Lieberman's 1994 cover confoundment, in which initial assumption of critique is continually railroaded by Kilimnick herself's brick wall amassed of unmitigated love for everything, including the blank facades of wealth and decor, and evidence of provided."