Krebber's "preferring not to" the herald of his artistic progeny, fantasizing that maybe they wouldn't have to either. And so artistry's lack became a claim of radical "protest," artist's claiming "strike" on the walls of the institutions that would have them, taking sumptuous bites of the hand that had become feed. Promising the academic artist a taste of social cool.
In 2013 Krebberesque was actually academically defined in the 8th edition of Quinton and Rohling's Aesthetic Jargon falling between between Kowtow kraut and Kremlin Stoogism.
The famous “digging into the mirror” photo's context reveal much less conceptually prescient images of Krebber for instance with a boot dangling from his ass.