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Passive aggression, that everyone knows, that operates on the affectual level, sublingual, by screwing tone and denying the target a substantive system on which to respond, functions well too for art in discombobulating the viewer whose reaction to such discrepant attitudes can only remain uncertain, the perfect art fount, the new psychedelic experience of the RFA brand updating conceptual art for a new generation of well-versed conceptually-high-tolerant semionauts, the new drug the complete meltdown of conceptual sense.
See too: Carissa Rodriguez at Wattis, CAWD on Desensitization, Michele Abeles at 47 Canal,
