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The Otto-Knappian nostalgia glossed contemporary palette's palatability makes her recycling fun. We get its depictions at the remove we can respect them. Modernism in a dark lens so we can talk about it without being it. With the ethereal silver surface appending some Last Year at Marienbad memory as surrealism. They're backdrops to us looking, sort of ingratiating you as the actor to them.
See too: Silke Otto-Knapp at Galerie der Stadt Schwaz, “Seven Reeds” at Overduin & Co.
