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Vacuums look like Star Wars robots, that is a technology not sleek but faux mechanical, overly so. The term "greeble" was invented for Star Wars' scene builders to describe the false detailing added to increase surfaces visual complexity, to thus exoticize if not heighten the inferred technology. Vacuums are a tube that sucks and yet their encasements evolve all sorts of sleek sexual-mechanical curves and corners, a shell that infers the inner without much referring to it. Agree with the assesment that these are more Konrad Klapheck than Christopher Williams, but only because the objects themselves are. Removing William's pornographic white light for the pseudo-affectlessness of point and shoot reveals the objects themselves as Klapheckesque. The casing isn't designed for the object inside but for person deciding upon it, obviously.
See too: Nina Beier at Croy Nielsen, Nancy Lupo at Swiss Institute, Nancy Lupo at 1857, Nairy Baghramian at Marian Goodman, Katja Novitskova at Kunsthalle Lissabon, Klara Lidén, Alicia Frankovich at Kurator,
