"The way butterflies seem garish and unnecessary and inspire wrath so children crush them and artists crush them against canvas, looking for ways to bejewel our production... They're fine in that way of pleasantness, pinnacle of subservience that is the crux of high dollar abstraction, submission to their surroundings by letting it walk all over them."
"These are much uglier ... And Straus's text begins with an almost apology for the exhibition, which reminds of how endeared we all were to artists failing ten years ago."
"A hail mary pass to capture, touch down, on some meaning."
"Strau’s concurrent rise with the hegemony of the art's image (say, CAD) makes a sense. Strau attaching text to image, delaying reception by giving words to its arrival at the moment it made it consumable without giving it away. This was huge."