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That despite the overtness of their visual frenzy - the visible rendered as technical proficiency - and the importance placed upon it, the visible is - or could feel- unnervingly subordinated to our relation to and what we know of the objects, which is very little, the heavy weight placed toward their unidentifiable reason versus the degree of their depiction, and the less we know about these objects the more psychotic they become: the arbitrariness of the subject incommensurate with the exhaustive - pathological - attention paid, and even if the objects are of some discerning import - which, doubtful - what good does paying them attention in paint do - beside re-inscribing their wealth by leveraging technical prowess and labor time. The attention paid to objects as things of their own intrinsic, post-human, value is unnerving, an uncertainty created at how we relate to our world, everyone is only ever both a mirror and an object, do you see yourself?
See too: “Being Thing” at Centre International d’Arte et du Paysage & Treignac Projet