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There isn't a Manders sculpture that doesn't use an instance as a permanent fixture. This stasis, like a pause, blurs sculpture as its image, blur their bronze eternality with the fresh moment they inhabit. A moment replaced with its object. To be both an object and its ossification, the chair is still a chair even if its a sculpture of it, and bronze dogs are sculptures well as depictions of them, these odd points of superpostion between their difference that makes the world uncanny, reduced 88%, like all the various fives in the world still representing the other. Its a subtle thing treating the world as an image, masking the violence of our treatment of it as such.