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Charming post-Naumanian displacers of content, the work's emptiness as interest (fun or dark?™) maybe finds relevance to current political situations in that one must find interest elsewhere: the contents of speaking is beside itself - nonexistent - and we must look around corners, to the edges of whited out posters, build our own shoddy unstable platforms, find the non-content of its rhetoric and ham-handed demagoguery as a new type of poetry we can't ignore it has steamrolled itself into our vision, just like our political leaders. "In the video work Nhite Woise (2015), Klara Liden and Karl Holmqvist connect in a charming yet dilettante dance performance."
See too: Klara Lidén, Alicia Frankovich at Kurator, Karl Holmqvist and Ei Arakawa at Overduin & Co.
