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Carron's vague objects become conceptually blurry, rounding the corners of specificity to become pegs of exchangeablity where the tension of an art object is in occupying category rather than individuated objects, where Carron's object exist at the cusp of slipping over into, risking complete genericism.
See too: Darren Bader at Radio Athènes, Heimo Zobernig at Kunsthaus Bregenz, Ulla von Brandenberg at Pilar Corrias