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Kelley's Uncanny exhibition should be restaged every ten years, that was a good one. The word Life provides enough secondary subtext and poetic license, along with the "itself" existential attachment, to provide umbrella enough for any curatorial hand. A lot fits under it, it was the title of Roger Ebert's memoir, obviously alluding to all of film and thus art's examination of the topic. Hard to think of artist that doesn't fit. The idea of staging an exhibition around it is absurd, probably the point, that ha ha of existential loss. Like Holler states as much in common in the PR, any overarching definition of life is going to be incomplete, arbitrary.
