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Transition between stages and monochromes is not totally rare. Zobernig studied theater-design before art indistinguishable from props for it. Prina's packed themselves into their own pink stage and Violette. Parrino after he got off the stage. Mosset's showroom which are kind of like a stage. and Lamiel, against such brutishness, a reversed trajectory to stages of lonely avant-garde emptiness. Both the stage and of monochromes laying the spotlight on the only people who can make sense of its void staring back with one big question, the actor encountering the stage manager. Like those empty scenes in the post-apocalypse where people wander through vacant worlds wondering just what to do.
See too: “Seven Reeds” at Overduin & Co.
