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The trend for newfound ultra-reflective fabrics - in which trendsetting punk bands were even using its image for logos - was at least in some way attributable to the meme-like spread of how cool it looked to take photos of your friends in, ghostly clothing disembodied in empty blackness if you remember, collapsing its marketing vehicle into the very fabric of its product, a feature people would want to disseminate outperforming the logo it made primitive. None of this is lost on Kaspar who has been gliding between fashion-as-art and just-plain-art, just-plain-art mirrored in the silvered rise of other painters reflective own, fashions which for the moment the flash can be frozen look great.
“Seven Reeds” at Overduin & Co.
