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The alienation continually recurring is well produced here in a simple series of categorical illustrations listed as exhibitionary requiem; events silenced; a world where Discovery of the means of production is profound entertainment; and drawing from back to a time when when looking was still a profound pleasure before its subsumption into a new semio-self-production conjuring a whole new coin: “selfie” alighting ourselves in immolating spectacle glowing blue, remembering things so way past, today no one goes to bed early against the illumation of de Brabant's new castle glass standing in for a world we believing ourselves connecting.