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A system of indexes parading painting's material as flesh flaunted, the overt material presence is at the same time excused by the "accidental," the means of composition providing reason for the material to be there, i.e. they're artifacts of a process so we're not reading into the color field emotions of the capital P Painter (of say Marden, Diebenkorn, Rothko) but as the residuals of painting's means which provides relief from capital M Meaning (Parino, Hesse), the great relief of things just being, or trying their hardest to.
see too:Lucy Skaer at Murray Guy, Daniel Lefcourt at Blum & Poe, Alicja Kwade at Kunstmuseum St. Gallen
